Showing posts with label Melody Club. Show all posts
Showing posts with label Melody Club. Show all posts

Melody Club - Sweet Disaster


"I still sleep with the enemy"

We've got a new Melody Club single! Personally, I was pulling for the superb Dreamer's Wasteland, but I'll gladly take this track, which has grown on me immensely since listening to it for the first time a few months ago. Sweet Disaster is a catchy midtempo number in the classic MC style. It features some great female background vocals in the chorus and a stirring middle eight. It's not the kind of track that hits you over the head immediately, but the melody is so insistent and the production so flawless that you find yourself coming back to it over and over again. I hope it has the same effect on the Swedish public (though if The Hunter couldn't do it, I've got my doubts). If you haven't yet, please check out their latest album. It's my favorite of the year so far and about as good as classic pop music will get this year.

Melody Club - Sweet Disaster by alienhits

(Music posted for evaluation purposes only. If you like what you hear, support the artists. Buy the album here. Follow me on twitter and facebook.

Track-by-Track: Melody Club - Human Harbour

Melody Club, above all else, are aptly named. Throughout their five-album career, they've never skimped on melody--never strayed from a flawless chorus or subtly compelling verse. They are pop music through and through, and don't make apologies about it. Many would call them a guilty pleasure, but that doesn't really mean anything. They are one of the decade's most consistent, and most enjoyable, pop acts. With Human Harbour, they continue their streak of unbroken hits (or, realistically, hits-to-be/hits-that-could-have-been/hits-that-should-have-been).

1. The Hunter - Their unsuccessful (in the context of the show) Melodifestivalen entry. Unlike most singles, this seems to sound better and better each time I hear it. While I was initially pleased, I'm now beginning to think that this is right up there with their best singles. What a way to kick off the album. 10/10

2. Dreamer's Wasteland - This bundles together two (cheesy but wonderful) things I love about pop music: power chords and children's choirs. It HAS to be the next single. The mid-tempo synth track combined with one of the album's best melodies makes for something very special. 10/10

3. Sweet Disaster - Slightly more uptempo than the last track, though still more mellow that we're used to from these guys. The melody and production, though, are spot on. In fact, the production throughout the album deserves a special mention for being slick, polished and varied. This is a grower, and it's totally working because I can't stop listening to it. 10/10

4. A New Set of Wings - An uptempo glam stomp that borrows some production elements from the Ark. It's good (and very catchy), but lacks just a little something. I can't put my finger on it. Still, it's an excellent album track, particularly the frantic middle eight. 9/10

5. Only You Can Heal Me - A slow-burning, atmospheric electro-ballad, this is also a duet with a female vocalist (any ideas who? I don't have liner notes with me). It's very pretty and delicate, though not one of my favorites on the album. 8/10

6. War Of Hearts - Back to uptempo here, though the melody's actually quite slow. The brittle funk of the beat makes a nice contrast with the vocals. At first I thought the chorus was lacking a little something, but I've completely come around to it now. 10/10

7. Human Harvest - This song is an absolute beast. It's the longest, most complicated, and craziest of all the tracks. Segueing from melodramatic ballad to 80's arena rock to a classic rock refrain, this covers a lot of territory in just over five minutes. It's also got some of the best melodies on offer. Ridiculously catchy. 10/10

8. Bed Of Needles - This has a classic mid-tempo shuffle, like a slowed down version of their 2007 single Fever Fever. The production's different than anything else on the album. It's a track that I enjoy immensely when it's playing, but it's not one that I seek out specifically. 9/10

9. Karma Control -Definitely the most frantic song on here. It begins with Kristofer's voice and a string section, but quickly adds are kicking dance beat that propels the song forward at breakneck speed. It's a great, late-album highlight. 10/10

10. I Don't Believe In Angels - I rolled my eyes when I first saw that this was going to be included on the tracklist. I thought, am I really going to want to listen to a Christmas song all year round? But take the "Christmas" out of it and the kitchen-sink production (bells, chimes, guitar solos, etc) is too wonderful to pass up. The lyrics are cheese incarnate, but that melody's indelible. I actually found myself enjoying this more in the context of the album. Go figure. 10/10

11. You Don't Love Me - Another new shift in sound for the band, this alternates between solemn, slow verses and pumped up guitar-charged choruses that are among the loudest pieces of music the guys have ever made. It's all got an anthemic, cathartic release to it. A perfect ending to the album. 9/10

Album Grade: 9.5/10

Melody Club - Human Harvest


"It's your last summer, and it's fading away"

They've done it again! Melody Club have yet to release a bad album, and while their latest is more melodically and rhythmically varied (ie: more-or-less a little 'slower' than we're used to from the band), it's a stellar collection of criminally catchy songs. I struggled to decide which track to share today (Dreamer's Wasteland, with its inspired children's choir is another must-listen), but eventually it came down to the oddly-titled Human Harvest. It was my initial standout, if for no other reason than its brazen epicness. It's a stab at the Bohemian Rhapsody format of pop song. There are four distinct melodic parts, ranging from melodramatic ballad to rollicking 80's arena rock. The story is an overblown drama concerning death and redemption and deals with the devil, but it's the melody here that works wonders. It's been stuck in my head for days and I'm a little worried that it isn't going to leave. I'll have a full review of the album, soon. In short: it's great.

Melody Club - Human Harvest by alienhits

(Music posted for evaluation purposes only. If you like what you hear, support the artists. Buy the album here. Follow me on twitter and facebook.

Hell Yes!!

They're baaaaaaack!



(and looking a little bit like the X-men!)

UPDATE: And adding to this blissful news, the band are doing what I always hoped they would.... participating in Melodifestivalen!! Their new single, The Hunter, will be in this year's contest! Now we just have to wait a couple of months...

Casablanca - Downtown


"We've got one chance left to turn it all around"

Imagine my delight when discovering that two fifths of this new Swedish supergroup are Erik Stenemo (from Melody Club) and Josephine Forsman (from Sahara Hotnights). That alone caught my attention and guaranteed that I was going to sit up and take Casablanca seriously. The band hearkens back to the over-the-top hair metal of the 80's and is very authentic in that. They really go for the lighters-in-the-air anthem template with Downtown, a song that sounds a little like The Ark in parts--the dramatic, slowed down chorus, especially. Frontman Anders Ljung is no Ola Salo, but his throaty, at times sleazy, vocals fit the KISS-style aesthetic perfectly. This genre trends toward self-parody almost instinctively, but something about this band (and Swedish music in general), manages to harness the genre's tropes and turn something that could be cheesy into something quite rousing. And with support from Swedish radio (this song debuted on the annual P3 Guld awards), they could turn out to be what we thought H.E.A.T. was last year.

Casablanca - Downtown by alienhits

(Music posted for evaluation purposes only. If you like what you hear, support the artists. Buy the single here. Follow me on twitter and facebook.

Top 20 Albums of 2009: 2-1

2. Melody Club - Goodbye To Romance



What a stunning run of albums these guys have had. Making irony-free pop music is an occupation that’s becoming more and more rare, but Melody Club managed to record an album that hearkened back to the days of shimmering bubblegum pop music with a rock edge. It’s a shift for them, downplaying the synths in favor of a meatier, guitar-influenced sound. There was nothing else like it recorded this year, and it easily wins the prize for the jolliest sounding record of 2009. The band is probably past their prime commercially, but I pray that they stay together and keep recording because they would leave behind a very big hole in the market if they stopped.

Myspace

1. Lady Gaga - The Fame Monster



Nobody defined pop music in 2009 more than Lady Gaga. She single-handedly took control of the year, spawning armies of imitators while fearlessly steering herself into what looks to be a long-lasting career. The Fame Monster was the exclamation point on a flawless run of singles. It managed to top her debut in every way possible and offer a portrait of a true pop artist. The album is short, just like some of the best records of past decades, and all the stronger for it. There isn’t a bad track here, or a song that doesn’t instantly sound like a huge hit single. There are hooks within hooks, bizarre lyrics, and the opportunity for even more out-of-this-world costumes. What more could you want?

Myspace

Top 50 Singles of 2009: 10-6

10. Blake Lewis - Heartbreak On Vinyl



The Idol runner-up’s best single to date. A smart, hooky ode to record stores and those who love them.

9. Tommy Sparks - She’s Got Me Dancing



A springtime party track in a year where there weren’t many to go around. From the squeaky synth opening to the undeniable hook, this was pure magic.

8. Lady Gaga - Paparazzi



Gaga’s most lasting radio single yet, the jaw-dropping video was what really propelled this to the forefront of people’s minds. Several months in, it still hasn’t gotten old.

7. Melody Club - The Only Ones



A galloping pop single signaling a shift in the band’s sound, this track just makes you feel really, really good. Simple as that.

6. Filthy Dukes & Tommy Sparks - Messages



Even better than Sparks’ solo stuff, this electro dance track was the coolest thing to come out of the UK this Summer. I prefer to think of it as the 2009 Scissor Sisters comeback single that never was.

Top 50 Singles of 2009: 21-16

20. La Roux - Bulletproof



The catchiest moment on her album, this is the single that cemented La Roux as an artist with staying power.

19. Melody Club - Where Do I Belong



A single that was never given the push it deserved, this is a classic Melody Club pop song with shimmering synths and a melody that refuses to leave your head.

18. Johan Krafman - Disarmed



The type of song Ola Svensson would have easily taken to the top of the charts, this was yet another example of why the Nilsson/Bassflow combo is unstoppable.

17. Linda Sundblad - 2 All My Girls



Max Martin’s best output in a year full of amazing songwriting, it took frenetic to another level. The Hammer dancing in the video is forever scarred in my retina.

16. Donkeyboy - Ambitions



A soaring, surprise Summer smash (how’s that for alliteration?), these Norwegians came out of nowhere and took their home country by storm.