Summer is over this weekend (though from the weather around here, you'd think that it was finally just beginning). I was seriously underwhelmed in the album category this year, but there were a ton of great singles to choose from. Here's an album's worth (in no particular order) of what I've been listening to over and over again. What about you?
Example - Changed The Way You Kissed Me - Such a leap from his earlier work, which I also loved. It's just a gargantuan song waiting to crossover to the US.
One Direction - What Makes You Beautiful - I was a huge supporter of theirs during X-Factor, and now that I've heard this I like them even better. 100% on the mark.
Martin Rolinski - Blame It On A Decent Matter - BWO frontman goes solo with a track that nearly out-BWOs BWO! Big, plastic Swedish synths (MUCH better than Swedish meatballs).
LMFAO - Party Rock Anthem - This was, for better or worse, played so often this summer. A triumph in infectious stupidity.
Pnau - The Truth - It really caught on with me over the past few months. That chorus hits you like a freight train.
Adele vs Robin S. - Show Me In The Deep - I tired of the Adele original very quickly, but never wore out this excellent remix. She should do dance more often. The remix of the year, without question.
Nero - Promises Dipping my toe into dubstep (and this is really watered down dubstep), this was the La Roux track of the summer (without actually being La Roux).
The Sound Of Arrows - Magic - They get better and better with every release. This never failed to cheer me up.
Foster The People - Helena Beat The world's still reeling from their debut, but I was onto the next single months ago. This one's better, anyways.
Mika - Elle Me Dit - Who would have thought Mika would've wormed his way back into my good graces with a french dance track?
Maroon 5 - Moves Like Jagger - Even stranger, this was a band I couldn't stand two months ago. Cue this track, which turned it around with that incessant whistle. Xtina couldn't even ruin it.
Le Kid - America - A soaring pop confection from Sweden, in a year where Sweden isn't quite living up to the hype I always give it.
Katy Perry - Last Friday Night - With each single, I like her more and more. The video to this song clinched it.
The Wanted - Glad You Came - I have a feeling that this will be known as the year of the boybands in the UK. But when they're this good...
Showing posts with label The Wanted. Show all posts
Showing posts with label The Wanted. Show all posts
Pop Blitz 6/3/11
The Wanted - Glad You Came
The world's most relevant boyband (currently, at least) returns with a new single inspired by European dance hits of the past few years. It's a natural transition and an interesting choice for them. The production definitely works. I think I'm going to need to give the melody a chance to grow, though. B+
Coldplay - Every Teardrop Is A Waterfall
I didn't even know they were releasing a new single this month. I've never been as big a fan as some (always preferred Keane, to be honest), and although this doesn't have the wow factor that Viva La Vida had, it's much better than I expected. I dig the power pop melody, though the production feels a little muddled. B
Pitbull - Give Me Everything
Does it sound like all of the other urban/dance hybrids out there? Yep. But it's at least a pretty solid example of the genre. It'll sound dated in about a month, but there are definitely worse things out there. B-
Joe Jonas - See No More
This project had so much potential, but this song is not very good. The verses are nonexistent and the chorus sounds like a weak Jesse McCartney track. I never really liked the Jonas Brothers, but their singles were better than this. C-
Aloe Blacc - I Need A Dollar
This is a real throwback, and I'm happy to see such a strong soul track doing well in the UK. It's the Adele factor, I guess. People are into this kind of stuff. It's got a real authenticity to it and is spot-on lyrically for this particular moment in time. B
Nicki Minaj - Super Bass
I've tried to get into the whole Minaj thing, but it hasn't been easy. I do like this. It's got that crazy sound you want with Nicki's music, but doesn't forget a strong(ish) hook. B
Alex Gaudino - What A Feeling
Kelly Rowland again ventures into the dance realm with this collaboration. It's, as usual, a great match for her vocals. The song could be stronger, but it'll do for the Summer. B+
The world's most relevant boyband (currently, at least) returns with a new single inspired by European dance hits of the past few years. It's a natural transition and an interesting choice for them. The production definitely works. I think I'm going to need to give the melody a chance to grow, though. B+
Coldplay - Every Teardrop Is A Waterfall
I didn't even know they were releasing a new single this month. I've never been as big a fan as some (always preferred Keane, to be honest), and although this doesn't have the wow factor that Viva La Vida had, it's much better than I expected. I dig the power pop melody, though the production feels a little muddled. B
Pitbull - Give Me Everything
Does it sound like all of the other urban/dance hybrids out there? Yep. But it's at least a pretty solid example of the genre. It'll sound dated in about a month, but there are definitely worse things out there. B-
Joe Jonas - See No More
This project had so much potential, but this song is not very good. The verses are nonexistent and the chorus sounds like a weak Jesse McCartney track. I never really liked the Jonas Brothers, but their singles were better than this. C-
Aloe Blacc - I Need A Dollar
This is a real throwback, and I'm happy to see such a strong soul track doing well in the UK. It's the Adele factor, I guess. People are into this kind of stuff. It's got a real authenticity to it and is spot-on lyrically for this particular moment in time. B
Nicki Minaj - Super Bass
I've tried to get into the whole Minaj thing, but it hasn't been easy. I do like this. It's got that crazy sound you want with Nicki's music, but doesn't forget a strong(ish) hook. B
Alex Gaudino - What A Feeling
Kelly Rowland again ventures into the dance realm with this collaboration. It's, as usual, a great match for her vocals. The song could be stronger, but it'll do for the Summer. B+
Pop Blitz 3/17/11
George Michael - True Faith
Michael comes back with a midtempo track (a cover of the New Order hit) that overuses vocoder effects. He's got one of the best pop voices of all time, so what's with the electronics? And why can't we get something more uptempo (or at least with a better melody)? C-
Glee Cast - Loser Like Me
Glee remains as frustrating as it is entertaining. There's more potential than this radio-friendly track displays, but it's not bad, either. Next time, they need to opt for a more unique sound that capitalizes on their use of choral harmonies. B
Selena Gomez - Who Says
It's a brief (hopefully) pit stop to "uplifting" Taylor Swift-esque material for the Disney star. It's actually not as bad as I feared. The production's catchy enough, but I wish it was in another language so that I couldn't understand the lame lyrics. C+
The Wanted - Gold Forever
They're really building up a strong set of singles. This is the exact direction I was hoping they'd follow -- more electronic, more dramatic and uptempo. It's a promising sign for their second album, whenever they decide to release it. A
Martin Solveig & Dragonette - Hello
If this is what it takes to give Dragonette a world-wide audience, I'm totally okay with it. It's not the band's best track (and yeah, I know it's Solveig's song, but it sounds enough like Dragonette to be classified as such), but even their average material is heads above most everything else. A-
Jessie J - Price Tag
Honestly, isn't the chorus to this exactly the same as Pink's "F**king Perfect" (another song that completely underwhelmed me)? I just don't get the hype over this. It's dull, predictable and forgettable. What am I missing? C+
Black Eyed Peas - Just Can't Get Enough
How can one band be responsible for both some of the worst songs and best songs on the past few years? This isn't close to their low point (that would be previous single, the vomitatious "The Time (Dirty Bit)") but it's no "I Gotta Feeling," either. It's simply alright. B-
Michael comes back with a midtempo track (a cover of the New Order hit) that overuses vocoder effects. He's got one of the best pop voices of all time, so what's with the electronics? And why can't we get something more uptempo (or at least with a better melody)? C-
Glee Cast - Loser Like Me
Glee remains as frustrating as it is entertaining. There's more potential than this radio-friendly track displays, but it's not bad, either. Next time, they need to opt for a more unique sound that capitalizes on their use of choral harmonies. B
Selena Gomez - Who Says
It's a brief (hopefully) pit stop to "uplifting" Taylor Swift-esque material for the Disney star. It's actually not as bad as I feared. The production's catchy enough, but I wish it was in another language so that I couldn't understand the lame lyrics. C+
The Wanted - Gold Forever
They're really building up a strong set of singles. This is the exact direction I was hoping they'd follow -- more electronic, more dramatic and uptempo. It's a promising sign for their second album, whenever they decide to release it. A
Martin Solveig & Dragonette - Hello
If this is what it takes to give Dragonette a world-wide audience, I'm totally okay with it. It's not the band's best track (and yeah, I know it's Solveig's song, but it sounds enough like Dragonette to be classified as such), but even their average material is heads above most everything else. A-
Jessie J - Price Tag
Honestly, isn't the chorus to this exactly the same as Pink's "F**king Perfect" (another song that completely underwhelmed me)? I just don't get the hype over this. It's dull, predictable and forgettable. What am I missing? C+
Black Eyed Peas - Just Can't Get Enough
How can one band be responsible for both some of the worst songs and best songs on the past few years? This isn't close to their low point (that would be previous single, the vomitatious "The Time (Dirty Bit)") but it's no "I Gotta Feeling," either. It's simply alright. B-
Top 50 Singles of 2010: 15-11
15. The Wanted - All Time Low
Just when I thought boy bands were dead, along comes this song. From the strings to the beat to the cathartic chorus, this was a massive hit for the second half of the year.
14. The Hoosiers - Unlikely Hero
Never had the success it deserved, but it represented everything that I love about the Hoosiers‘ new sound in one song. I don’t know how anybody resists that chorus.
13. Katy Perry - Teenage Dream
California Gurls started to turn me around, but Teenage Dream was the song that cemented Katy Perry as an artist worth listening to. This will be a classic for some time, I think.
12. Mark Ronson - Bang Bang Bang
The craziest confection of this past Summer, I immediately fell for this pop/electro/rap hybrid and couldn‘t stop playing it. The MNDR bits are the best.
11. Foxy Shazam - Unstoppable
Not since the days of Queen have we seen a stadium anthem this huge. It was played during the Superbowl this year. With any luck, that’s a harbinger of the level of fame this underrated band will achieve.
Just when I thought boy bands were dead, along comes this song. From the strings to the beat to the cathartic chorus, this was a massive hit for the second half of the year.
14. The Hoosiers - Unlikely Hero
Never had the success it deserved, but it represented everything that I love about the Hoosiers‘ new sound in one song. I don’t know how anybody resists that chorus.
13. Katy Perry - Teenage Dream
California Gurls started to turn me around, but Teenage Dream was the song that cemented Katy Perry as an artist worth listening to. This will be a classic for some time, I think.
12. Mark Ronson - Bang Bang Bang
The craziest confection of this past Summer, I immediately fell for this pop/electro/rap hybrid and couldn‘t stop playing it. The MNDR bits are the best.
11. Foxy Shazam - Unstoppable
Not since the days of Queen have we seen a stadium anthem this huge. It was played during the Superbowl this year. With any luck, that’s a harbinger of the level of fame this underrated band will achieve.
Top 20 Albums of 2010: 20-19
20. Elin Lanto - Love Made Me Do It
Somewhat of a hit-or-miss affair, though the hits were so good that it deserves to sneak into my countdown. This album had been brewing for quite some time, which resulted in a long string of singles before it was even released. This gave the final product more of a greatest hits feel than anything. Still, the single choices were brilliant and the combination of Lanto’s scratchy pop voice and a team of excellent songwriters proved more than effective to deliver a grade-a pop album.
Facebook
19. The Wanted - The Wanted
If someone would have told me that I’d be including a boy band album on this year’s countdown, I wouldn’t have believed them. Despite growing up during the height of turn-of-the-century boy band hysteria, I’ve never been convinced that an entire album of the stuff is much to get excited about. Luckily, The Wanted shifted things with an unexpected, guitar and string-influenced sound. Beyond the singles, this is a remarkably consistent pop album brimming with potential hits. I enjoyed it a lot more than I thought I would (and technically, it’s only the first of two boy band albums on the countdown this year)
Facebook
Somewhat of a hit-or-miss affair, though the hits were so good that it deserves to sneak into my countdown. This album had been brewing for quite some time, which resulted in a long string of singles before it was even released. This gave the final product more of a greatest hits feel than anything. Still, the single choices were brilliant and the combination of Lanto’s scratchy pop voice and a team of excellent songwriters proved more than effective to deliver a grade-a pop album.
19. The Wanted - The Wanted
If someone would have told me that I’d be including a boy band album on this year’s countdown, I wouldn’t have believed them. Despite growing up during the height of turn-of-the-century boy band hysteria, I’ve never been convinced that an entire album of the stuff is much to get excited about. Luckily, The Wanted shifted things with an unexpected, guitar and string-influenced sound. Beyond the singles, this is a remarkably consistent pop album brimming with potential hits. I enjoyed it a lot more than I thought I would (and technically, it’s only the first of two boy band albums on the countdown this year)
Pop Blitz 12/08/10
Jessie J - Do It Like A Dude
I like this girl because I think she's got charisma. But... I'm not crazy about this song. It grates a little and I just feel like for as much hype as she's getting, she could've come with something more original. B-
The Wanted - Lose My Mind
Their debut album was stronger than it had to be and really quite a good listen, but this song has never screamed "single" to me. It's one of their more skippable tracks, particularly because it sounds way too much like Kings of Leon. As an album track, I love it, but I wish it would've stayed that way. B
Bruno Mars - Grenade
He was smart to release this, one of his album's strongest tracks, as a single. If he continues this quality, he's going to have quite a career. The vocals are amazing. A-
Coldplay - Christmas Lights
If any band were made to write a Christmas song, it would be Coldplay (especially after Clocks). This is somewhat underwhelming, mostly because it really doesn't sound like Christmas at all. That's probably the point, but to me it's a missed opportunity. C+
Sugarland - Stuck Like Glue
I first heard this a couple of months ago and thought: "hey, this country song could totally cross over to pop radio." And it did. It's dangerously catchy. I'm not even sure if I like it, but I can't resist it, which means once it becomes even more ubiquitous I'm sure I'll hate it. For now, it's an A-
Wiz Khalifa - Black And Yellow
I was all prepared to hate this, but the beat's actually really good and the hook's not bad either. I could see this easily pulling 50 Cent In Da Club type success and crossing over. It's not really my thing, but for what it is it's solid. B
Natalia Kills - Mirrors
This reminds me a little of what Lady Gaga sounded like when she first came out. It's great, but the only problem is that we have a Lady Gaga already and it's just a little too similar. Even the vocal delivery is the same. That being said, I'm liking this more each time I hear it. A week ago this would've been a B- at most. Now it's a B+
I like this girl because I think she's got charisma. But... I'm not crazy about this song. It grates a little and I just feel like for as much hype as she's getting, she could've come with something more original. B-
The Wanted - Lose My Mind
Their debut album was stronger than it had to be and really quite a good listen, but this song has never screamed "single" to me. It's one of their more skippable tracks, particularly because it sounds way too much like Kings of Leon. As an album track, I love it, but I wish it would've stayed that way. B
Bruno Mars - Grenade
He was smart to release this, one of his album's strongest tracks, as a single. If he continues this quality, he's going to have quite a career. The vocals are amazing. A-
Coldplay - Christmas Lights
If any band were made to write a Christmas song, it would be Coldplay (especially after Clocks). This is somewhat underwhelming, mostly because it really doesn't sound like Christmas at all. That's probably the point, but to me it's a missed opportunity. C+
Sugarland - Stuck Like Glue
I first heard this a couple of months ago and thought: "hey, this country song could totally cross over to pop radio." And it did. It's dangerously catchy. I'm not even sure if I like it, but I can't resist it, which means once it becomes even more ubiquitous I'm sure I'll hate it. For now, it's an A-
Wiz Khalifa - Black And Yellow
I was all prepared to hate this, but the beat's actually really good and the hook's not bad either. I could see this easily pulling 50 Cent In Da Club type success and crossing over. It's not really my thing, but for what it is it's solid. B
Natalia Kills - Mirrors
This reminds me a little of what Lady Gaga sounded like when she first came out. It's great, but the only problem is that we have a Lady Gaga already and it's just a little too similar. Even the vocal delivery is the same. That being said, I'm liking this more each time I hear it. A week ago this would've been a B- at most. Now it's a B+
The Wanted - Weakness
"I know what she's doing to me"
With boyband One Direction likely to make the X-Factor UK final this year (and rightfully so -- they may not be the best "singers," but they're certainly the most likely to succeed post show), and the Wanted riding high on the charts with Take That's big comeback waiting in the wings, it seems like the boyband has returned as a pop music staple. Normally this would not make me all that happy. There's just something inherently cheesy and manipulatory about these types of groups. This new breed isn't much different, but there's a slight change in aesthetic and sound that promises the potential of some interesting pop music. The Wanted's debut single was an excellent slice of string-laden 2010 radio pop. And while the follow-up was more in line with treacly boyband ballads of the past, the album as a whole is really quite good. The use of guitars on most of the tracks was a brilliant move. It's an unusually consistent listen. Take Weakness, a late album track that's unlikely to be a single but packs the punch of one. I picked this song to highlight because it reminds me very much of some of my favorite Swedish popstars (Sebastian Karlsson & Whyte Seeds in particular).
The Wanted - Weakness by alienhits
(Music posted for evaluation purposes only. If you like what you hear, support the artists. Buy the album here. Follow me on twitter and facebook.
Pop Blitz 10/22/10
Black Eyed Peas - The Time (The Dirty Bit) Okay, so it's basically just a cover track of the Dirty Dancing song with some obnoxious sound effects (and even worse rapping) in between. Lazy, which wouldn't be so bad if this was listenable. D
Take That - The Flood
A strong comeback, with a lot of Robbie time. It's as majestic as modern radio pop gets, with a huge chorus and "sing it from the mountain tops" verses. Not quite as good as Patience was, though. A-
The Wanted - Heart Vacancy
Another boyband... from an old to new. The Wanted had a surprisingly excellent debut single. This is less excellent and far more in keeping with the genre, but it's pleasant enough. Still, they should be doing better.C+
Duck Sauce - Barbara Streisand
My god, the things they make songs out of these days. Take a riff from an old Boney M song and repeat a name over the top and that's it. Literally, that's it. It's a testament to how strong the riff is. Without that, this would be nothing but a name. B
Pet Shop Boys - Together
It's always nice to hear something new from PSB. On first listen, I wasn't sure if this was more of a hit or a b-side, but it's grown on me. The layered chorus is gorgeous. It's a very dense dance track with a lot to listen to. B+
Ke$ha - We R Who We R
Well, she's got a formula and she's sticking to it. If you've heard any of her songs, you'll know what this sounds like (maybe with a little of Taio Cruz's Dynamite thrown in). It's a dreadful concoction she's got going on. Lowest common denominator. (but still not as bad as that BEP song) D
Willow Smith - Whip My Hair
The whole Smith family nepotism thing drives me insane, so I came into this already annoyed. I just find it all a little creepy and... lifeless, somehow. This song was long-rumored to be a Rihanna track and thank god it wasn't because it's irritating as hell. Whatever happened to melody with some staying power? D+
Take That - The Flood
A strong comeback, with a lot of Robbie time. It's as majestic as modern radio pop gets, with a huge chorus and "sing it from the mountain tops" verses. Not quite as good as Patience was, though. A-
The Wanted - Heart Vacancy
Another boyband... from an old to new. The Wanted had a surprisingly excellent debut single. This is less excellent and far more in keeping with the genre, but it's pleasant enough. Still, they should be doing better.C+
Duck Sauce - Barbara Streisand
My god, the things they make songs out of these days. Take a riff from an old Boney M song and repeat a name over the top and that's it. Literally, that's it. It's a testament to how strong the riff is. Without that, this would be nothing but a name. B
Pet Shop Boys - Together
It's always nice to hear something new from PSB. On first listen, I wasn't sure if this was more of a hit or a b-side, but it's grown on me. The layered chorus is gorgeous. It's a very dense dance track with a lot to listen to. B+
Ke$ha - We R Who We R
Well, she's got a formula and she's sticking to it. If you've heard any of her songs, you'll know what this sounds like (maybe with a little of Taio Cruz's Dynamite thrown in). It's a dreadful concoction she's got going on. Lowest common denominator. (but still not as bad as that BEP song) D
Willow Smith - Whip My Hair
The whole Smith family nepotism thing drives me insane, so I came into this already annoyed. I just find it all a little creepy and... lifeless, somehow. This song was long-rumored to be a Rihanna track and thank god it wasn't because it's irritating as hell. Whatever happened to melody with some staying power? D+
Pop Blitz 8/4/10
Robyn - Hang With Me She's two for two this year, following up the instant classic Dancing On My Own with a song nearly as strong. The beat's similar, but it's the sticky melody that keeps you coming back. A
The Wanted - All Time Low
I've never been much of a fan of boybands. They're so inherently cheesy. But this is as close to a Kings Of Leon style anthem that boybandpop gets. Adding a bit of a club beat throughout was a great touch. A deserved UK #1. B+
Ne-Yo - Beautiful Monster
If Closer was a step in the right direction, this is an example of Ne-Yo's fully realized club sound. He pulls a total Jacko in the video, and I appreciate the new sound, but something about his vocals has always left me a little cold. B-
Linkin Park - The Catalyst
In which Linkin Park extend their fame yet again by trying something totally new. This odd breakbeat/protest/anthem/experimental-rock/dance hybrid is unlike anything else on the radio right now. I'm not sure what I think about it, exactly, but it's more interesting than anything the band have done thus far. B+
Flo Rida - Club Can't Handle Me (ft. David Guetta)
I am so tired of this David Guetta sound. Flo-Rida aims for an I Got A Feeling and gets something with the same drive but no feeling behind it. A hit by default, but it'll be forgotten next year. C-
Katy Perry - Teenage Dream
Like the first album, she's followed up a ridiculously catchy novelty hit with an equally catchy pop track. And also like the last album, it's a one-two punch. A perfect example of breezy, modern radio pop. A
Eliza Doolittle - Pack Up
This should be subpar Lily Allen, yet it completely works. It's all about the sample, which is the perfect hook for the summer. I don't think I'd like to hear anymore from Doolittle, but this is a great little novelty pop song. A-
Wow, this may have just been my highest rated Blitz yet!
The Wanted - All Time Low
I've never been much of a fan of boybands. They're so inherently cheesy. But this is as close to a Kings Of Leon style anthem that boybandpop gets. Adding a bit of a club beat throughout was a great touch. A deserved UK #1. B+
Ne-Yo - Beautiful Monster
If Closer was a step in the right direction, this is an example of Ne-Yo's fully realized club sound. He pulls a total Jacko in the video, and I appreciate the new sound, but something about his vocals has always left me a little cold. B-
Linkin Park - The Catalyst
In which Linkin Park extend their fame yet again by trying something totally new. This odd breakbeat/protest/anthem/experimental-rock/dance hybrid is unlike anything else on the radio right now. I'm not sure what I think about it, exactly, but it's more interesting than anything the band have done thus far. B+
Flo Rida - Club Can't Handle Me (ft. David Guetta)
I am so tired of this David Guetta sound. Flo-Rida aims for an I Got A Feeling and gets something with the same drive but no feeling behind it. A hit by default, but it'll be forgotten next year. C-
Katy Perry - Teenage Dream
Like the first album, she's followed up a ridiculously catchy novelty hit with an equally catchy pop track. And also like the last album, it's a one-two punch. A perfect example of breezy, modern radio pop. A
Eliza Doolittle - Pack Up
This should be subpar Lily Allen, yet it completely works. It's all about the sample, which is the perfect hook for the summer. I don't think I'd like to hear anymore from Doolittle, but this is a great little novelty pop song. A-
Wow, this may have just been my highest rated Blitz yet!
Subscribe to:
Posts (Atom)
